The
"enigma" that is Cush.
I had the opportunity
to speak with some of the members of the band a few
months back. Here is the results. I also included the
Cush Manifesto. It appeared in the March/April issue
of
7ball.
Cush is not a band.
Not in the conventional way anyhow. Cush is
far to hard to define. Certainly, the mystery
can breed the legend...but the facts are, Cush
isn't a mythical super band...but a gathering
of friends. This is not to say Cush doesnÍt
have some lofty goals. In the Cush manifesto
that circulated shortly before the band
debuted, it was proclaimed that Cush was
"the new sound for the new decade".
But even more so, the hope is for Cush to be
unlike any other production the public has
seen. "We wanted Cush to be more
liquid," explains Eric Campuzano.
"Anybody could be the singer, anybody
could play the guitar, you know, like there
never is really a central figure in the group.
Like if we thought Andy could sing a song
better than Mike Knott, then Andy should sing
it...or vice versa."
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Of course, Eric
admits such a thing is easier said than done.
"Reality is that, if you want to write a
record, you have to write the record and you
need facilitators to do that." Comprised
mainly of members of popular early to
mid-nineties modern rock band the Prayer Chain
and the prolific alt-rocker Michael Knott,
Cush runs the risk of being recognized more
for itÍs members than the product itself.
"Some people think of it as Mike's new
project or our new project...and itÍs nothing
like that at all, " Campuzano clarifies.
"We had no desire...I really dont want to
be a part of something like that. That's why
we just listed the performers. No band shots,
no lyrics...no credits. At times those...I
guess it just takes away from the whole vibe
behind it. "
In fact, Cush dates
back to the Prayer Chain's Mercury Days. The
members were realizing that Mercury was their
final studio release. The band started
discussing the principals of the musical
process. They were discussing "the
politics of ego and all the stuff that just
gets in the way of normal relationships. Sort
of making a benevolent, really benign record
that's just all about music, just basically
putting yourself aside." And five years
later, "me and Andy (Pricket) had jammed
these songs out , you know, sometimes just me
and him on a drum machine ...or like (Tim)
Tabor would show up, or Wayne (Everett) or
Frank (Lenz). Or anybody who could play
drums." When looking for a vocalist who
was right for what they were creating, a
friend came to mind. Knott explains,
"they called me up, and we got together.
They had a bunch of rhythm chords down. I
helped them come up with lyrics and melodies
and stuff. " But noone seems to take to
much credit for anything... which is just fine
with the members of Cush. "The thing is,
we all worked together, the credit is just
Cush on everything. Everybody put in their
equal percentage of trying to make it
work," Knott states with humbleness.
Campuzano explains further,"We try and
make it anybody who's there can participate on
the record."
One thing that stands
out is the uplifting nature of the lyrics.
Both Knott and the Prayer Chain are known for
lyrics that approach the edgier, grittier side
of life and faith. Knott says,îIn that
aspect, there was a goal to achieve, which was
trying to do a record that was somewhat
uplifting, not all dark, gloomy and
depressing." Obviously, there is the risk
that one can ñbecome your art.." Eric
admits,"I just felt like, at times, I was
so upset with myself and the body of Christ at
times, that I was almost holding Christ
hostage with my sins. I was blaming the
Church, I was blaming everybody and I was
taking no responsibility." But now Eric
feels that he and the members have reached a
new point in their songwriting. "I got
that out. I want to celebrate. I want people
to feel good.I just hope that Cush does say
that there is light at the end of the tunnel.
We're here to celebrate life, celebrate the
things that God's given us. To celebrate our
struggles." Eric adds, with a bit of a
laugh, "It's very positive, and people
seem to be surprised." Cush has high
hopes of continuing the celebration, seeing an
opportunity to refine their craft. "I
think for the most part, we really, not be pop
artists, but we just want to write songs that
are, I guess, more traditional for the general
listener and try to write a real solid three
to four minute song. Cause...we like to
jam." And Campuzano admits, "It's
hard, because in the Prayer Chain we were
hiding our...weaknesses...in just long
arrangements. And now in Cush, we've actually
wrote some really good songs, but we are still
carrying that ten years of how we used to
arrange things and how we used to arrange
things. And it's real hard to break out of
habits." But that's not to say they are
disappointed with their accomplishments thus
far. Knott sums it up quite well, "It's a
great band and a great record...weÍll let the
masses decide on everything else."
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CUSH - The new sound for the new
decade
CUSH:
Live: Andrew D. Prickett - The
Prayer Chain, The Violet Burning -guitar
Wayne F. Everett - The Prayer Chain, Starflyer 59, The
Lassie Foundation- drums
Michael G. Knott - LSU, The Aunt Betty's, Strung Gurus
- vocals
Campuzano - The Prayer Chain, The Lassie Foundation -
bass
Snowman - Honey - drones
[Steve Hindalong also played with them at Cornerstone]
Players on the Record Including the above:
Frank Lenz - Fold Zandura, The Lassie Foundation,
Crystal Lewis
Tim Taber - The Prayer Chain
Jeff Schroeder - The Violet Burning, The Lassie
Foundation
Gene Eugene - Adam Again, The Lost Dogs
Jyro Xhan - Fold Zandura, Mortal
Blake Wescott - Bloomsday [BACK]
In a declaration of Truth and its winding road,
members of the Prayer Chain, LSU, Honey, Fold Zandura,
Duraluxe, Bloomsday, the Lassie Foundation, and Adam
Again, have agreed to document below (the CUSH
Manifesto) in which all members will seek the Truth
and its Consequences. The result, A New Sound CUSH.
The CUSH Manifesto
The Foundation of CUSH is: God. Jesus. The Holy
Spirit. King David and The Psalms. Love. Celebration.
Longing. Giving. Purity. Innocence. Faith. Pain.
Gospel. The earliest Rock and Roll. Willing to change
and grow with others. Willing to have anybody play any
role, whoever is most suited for it at the time.
Willing to be anonymous. Willing to be produced.
Sharing, being selfless, letting go. Being Honest. The
song winning. Soul. Letting your ego get you there,
and then sacrificing it when the time comes. Music
being able to be performed in any way, by any
combination of people, in any setting. Being Free,
Creative, Spontaneous. One instrument per part, one
player per part. Minimal overlapping of tones. A
Groove. A Drone. A Basic Progression. An acoustic
guitar. An electric guitar. A bass guitar. A
six-string bass guitar. A piano. An organ. A horn
section. A cello. A violin. A viola. A voice. A
hand-drum. A tambourine. All things that make a sound
when you shake them. Washing everything in the
dreamiest of reverb-effects until you can't tell what
it is, but rather what it feels like.
Doing the thing you always wanted to do but were
afraid to. Jumping off the deep end of the peer.
Staring Fear in the face and walking right into it
with a faithful heart. Turning your life upside-down.
CUSH is from the core of your relationship with God --
Good, Bad, and Ugly -- and reaching out in Moans and
Groans to Him.
CUSH praises like Gospel, and wails like Rock and
Roll.
CUSH feels the best, and hurts the most at the same
time.
CUSH sounds familiar, like the best songs you've ever
heard, but feels new.
CUSH is an Action.
A CUSH song does not have to be 3:30 long.
A CUSH song can be 68 minutes long.
A CUSH song is already a greatest hit. From the
slowest, most isolated place, just before God, bowing
down, quiet, heavenly noise, swelling, droning,
heaving, glowing, flickering, underwater, the true
reality, connecting spiritually with God and seeing
all of humanity through His eyes. The true nature of
Love and everything. Placid but full of colour, vivid
life, musical movements, sounds, dreams, asleep but
still awake, alive yet dead, dead yet alive. Alone,
but not lonely. Haunting sad, painfully beautiful,
moving, majestic, heart-wrenching, yet humble meek,
and poor in spirit. Drone, Middle Eastern, heavy,
rock, epic, magnificent, cross poly-rhythmic,
whatever-wherever music, where all heaven and earth
are in His command.
CUSH is not about self-loathing.
CUSH is not about editing yourself before giving.
CUSH is not a solo project.
CUSH is not a band.
In CUSH, you win by letting yourself lose.
CUSH is a concept, an ideal, a greater goal, a
principle.
CUSH is a beautiful spirit shared by all.
CUSH is like 'the Force', ...But better.
CUSH was produced, written, and played by: Andrew
Prickett, Michael Knott, Wayne Everett, Campuzano,
Snowman, Frank Lenz, Gene Eugene, Blake Wescott, Tim
Taber, Jyro Xhan.
-in-one-ear.com
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Cush
(homepage)
Cush Music
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