Shepherd

   

  -A Grace Hotel Review-

 

     
Committing to Tape

Release Date:
( 2003)
Label: Northern Records
Producer: (chris Colbert)


Grace Hotel
  Overall rating:  +++

 Track Listings

1) All These Changes Come 
2) I Want to Hold Together 
3) What Happened That Day, So Long Ago? 
4) Harm 
5) Please Help Me Understand 
6) I'll Never Recover 
7) Secrets Kept Closed 
8) The Losses are Mounting 
9) There Were Times, When I Thought I'd Be Something in Life 

 

 

 

 

 

Album Reviews


There are a couple of things i need to let you know up front about this cd. First, it is Ronnie Martin, of Joy
Electric. Second, as the back cover states, "there were no compressors, digital effects, or computers used on
this recording". This is quite a departure from Martin's electronic noise in Joy Electric. Here he teams with
Frank Lenz on drums (Starflyer 59, Fold Zandura, etc...) to present nine little gems. Martin plays guitar, Roland bass, and sings. The cd has a decidedly dark feel, both lyrically and musically. The instrumentation, while sparse, is a beautiful backdrop for the lyrics. Those lyrics, while lacking in overt religious references, are a portrait of a man struggling with day to day life, as we all do.  The result is a showcase for the songs that didn't fit in with JE's sound. and I for one am glad martin found an outlet for them. Check out audio
samples, and buy the disc, at  www.northernrecords.com . you'll be glad you did.


~
Larry Laster

 

This is the long awaited organic Ronnie Martin recording. That’s Ronnie Martin of the understated, eccentric electronic band Joy Electric. This would be his side project. I’m glad this finally came out after being held hostage to record company politics for a painfully long time. Northern Records holds bragging rights for this little gem. Shepherd is best viewed as a side project. Only then do you understand why one would make such a challenging record.

I remember the bitterness of crazy JE fans when Unelectric was released. Unelectric was a bit misleading, and what the fans were really waiting for was what to become Shepherd. It was an idea rolling through Martin’s head for a long time. Some songs had to go on the shelf because they simply would not fit into an electronic format. Martin needed an outlet. This is it. The debut, Committing To Tape features Ronnie Martin on guitars, Roland bass and vocals. And while this is essentially a solo project, Martin recruited the help of Frank Lenz (Fold Zan, SF59, Lassie Foundation, etc) to play drums. This was a bright idea because this project was approached with the mindset that less is more (in the vein of Pedro the Lion’s It’s Hard To Find A Friend) and the scarce nature of the musicianship highlights even the smallest detail. Lenz plays his drum kit like an instrument, providing the foundation for the songs and working the landscape to make them more interesting. The mood is dreary, with Martin playing his guitar like a reluctant, disenchanted heartthrob rockstar would. I can’t help but hear the (obvious, but) close resemblance to younger brother Jason (founder of Starflyer 59). These brothers ride the same musical wave of ideals.

Heartbroken yet determined, Committing To Tape is minimal indie rock on the verge of a nervous breakdown. Of course, the use of Roland bass gives this record a bit more of a ‘stay true to your school’ identity for Martin. Joy Electric is definitely more comfortable musical territory, but it’s nice to go out on a limb. That’s what Martin did, and the result is a bit bumpy, but mostly pleasant. I hope he’ll venture out of his shell again.

~ Garrett Johnson

                   

Shepherd (Homepage)