Honestly, the first time I listened to Joy Electric I wanted to
hurl the CD through the 4th floor window. But my opinion and
tastes have obviously changed. In my humble opinion, Ronnie
Martin (and his brother Jason) is a quite a musical genius.
There are not too many creative or original artists out there
like Martin. He has proven time and again that music can evolve,
and that great songs can still be written.
Tricia
How old were you when you first started playing music?
Ronnie
I was eight years old. I loved Chief Green and my parents bought
my brother and I a piano and got us piano lessons. So that's how
it started.
Tricia
So when did you start Dance House Children?
Ronnie
Dance House started in 1990.
Tricia
How old were you then?
Ronnie
I was 20 years old. Yeah, and Jason was 18 or 19 years old.
Tricia
Tell us about Plastiq Musiq.
Ronnie
Plastiq is something I started, it's been about 2 years. Joy
Electric has always been this leftfield thing and we've always
not wanted it to be a leftfield thing. We're not into the whole
"We're in our own private little sector here and we're cooler
than everyone else." We've always wanted to be as widespread as
possible, but I thought that if I gave an opportunity for other
bands to do what we were doing, it would open things up a little
bit. Of course, I was wrong. You know, we get a lot of demo
tapes and stuff. It's been good and compilations do really well.
So we're able to put out a lot of different bands.
You guys probably have noticed that there are no labels in this
scene that really are going to pay any attention to a band like
us. We've been blessed with Brandon Ebel. He's always really
supported us. But for anything else, there's really no where
else for bands like that to go. So I'm just trying to support
stuff like that.
Nolan
What about N-Soul Records?
Ronnie
Well, N-Soul is a little bit different because they are so
strictly doing club stuff. Our whole thing is like, we just see
ourselves as an indie band or a punk band or whatever. We're
just using electronics. We've always kind of stayed away from
that whole, you know dance/techno, house, trance kind of stuff.
And there are a lot of bands that are doing this. We are kind of
the outlet for that. It's sort of like pop or rock bands that
use electronics. That's kind of our vibe instead of being
strictly a club band.
Tricia
What have you been listening to lately?
Ronnie
Lately, we just got the new Deftones album. I don't know, the
new Deftones album. I can't think. I liked the last one better.
I like those guys a lot.
Tricia
What caused the change in your music? For example, your former
stuff to "Christiansongs". It's a quite sudden change to being
blatantly Christian.
Ronnie
Well, with "Christiansongs" we really just wanted to... I was
listening to a lot of the old Christian bands at the time like
Altar Boys and Undercover who I really liked a lot. I noticed
that if you listen to those records from the 80's and 70's and
then listen to the records now, there's really a shift in a
band's overall attitude, like lyrically and so forth. I thought
it would be neat to do a record kind of like they did back in
1983. To where they're real amped up for the Lord and stuff like
that.
Bands toward the end of the 80's thought they were trying to get
deep or something. They really weren't deep at all. Their lyrics
were actually even dumber. That's how I always thought of it.
So, we just wanted to do kind of a record like that, like an old
Altar Boys or an old Undercover, or 441 album or something like
that. I don't know if we pulled it off, but that's what we were
trying to do.
Tricia
Well, it sounds pretty good. And then from that to "Unelectric"?
Ronnie
Yeah, "Unelectric" is kind of the... you know, we always like to
do an album and then an EP or something before our next real
album. We don't like to stop putting stuff out. We thought we
needed to reinterpret some of the more popular songs without all
of the sound effects or synthesizers. I like the way it turned
out.
People always focus more on the sound of Joy E than the sounds,
and that's going to bug me for life. Because we always write the
songs and don't even attempt to do the production until we like
the songs. Given how strong the sound is, that's what everybody
concentrates on. "Unelectric" is a good opportunity to say,
"look, here is the song, so check it out." We care about the
songs a hundred percent, and we care about the sounds about
twenty percent. It's hard to hear the balance.
Tricia
What are your hopes for the future in terms of Joy Electric?
Ronnie
We've been really fortunate. Everything just seems to keep
getting bigger and better for us. A lot of bands come in and
quickly get a huge fanbase, but then 2 years down the line you
don't know what's going on with them. For us, it's been really
strange because we just keep getting more fans on a daily,
weekly, monthly, yearly basis. We've worked real hard. We have
more fans now than we ever [had] and every day it just keeps
getting better. I don't know why God has done it that way, but
it has been a really slow buildup, but it's been good. We
appreciate everything. We're really glad at this fest. We just
played Creation for the first time and it took us years to be
able to go there, you know. We were really excited to be there.
I think it has kept our egos in check, because we are thankful
for just every step along the way. And then the show we did. I
don't know if you guys were at the show, but it was so good to
see just that many people there. It was a total blessing. I
forgot what the question was. What was it?
Tricia
Your future?
Ronnie
Oh yeah, we just want to stay on that line, you know. The fact
that everything keeps increasing and never decreasing... I don't
know, I guess God just said, "I'm going to work with you guys
slowly." So, we're thankful.
Tricia
It keeps you humble and encouraged at the same time.
Ronnie
Yeah, it kept us frustrated, but kept us humble. Doing stuff
like we did the other night is real cool. It gives you a lot of
encouragement.
Nolan
I noticed a lot of the material coming off Plastiq Musiq,
especially Goodnight Star, has retained a lot of your influence.
Ronnie
I actually didn't produce them, but I know what you mean. You
should hear some of the demos I get. Every time I get a demo it
sounds like what we were doing on the first album. It's kind of
weird. But you know, it was for the longest time... I mean, for
a band like MXPX, it's so much easier for a kid to pick up a
guitar and emulate who he's into. For us, a kid that was into
our records 4 years ago has taken this long just to save up the
money to buy the equipment to enable him to start doing that
kind of stuff. Now, it's just kind of coming around full circle.
Yeah, it actually bothered me because Goodnight Star was a
little too influenced by me, but I really like their songs. So
that's why I decided to work with them. I really felt they had
something cool going. It's kind of strange.
Nolan
You did produce the House of Wires new one, correct?
Ronnie
I produced the first one, not the second one. I also just
produced the new Fine China album. I'd like to get more into
that, [production].
Nolan
Were you pretty much their link into Tooth and Nail then?
Ronnie
Yeah, what happened was that I originally signed them for
Plastiq Musiq. Plastiq has such a vibe to where anything on it
people are going to think it sounds like a particular thing.
Fine China is kind of a mix. I didn't want the label to hurt
them. I don't want somebody that hates Goodnight Star to
automatically hate Fine China. They are more serious, too. I
shipped them over to Tooth and Nail and they are just going to
be Plastiq Musiq production. I don't want anything to hurt them,
because it's like the best record I've heard in years. I want
the best for them.
Nolan
I noticed you said you were a punk band with keyboards.
Ronnie
You know, the vibe was kind of out on the last record. We just
thought it was ironic, because, "hey, we write fast songs, too."
What's the difference? The melodies and the chords are the same.
Do you just classify punk as guitar, bass, and drums like Green
Day? It's not how we look at it.
Nolan
Well, last year, that was the best punk rock show I had ever
been to.
Ronnie
Right on, man. Thanks.
Nolan
I kind of wished the crowd would have made it like that this
year too.
Ronnie
Yeah, the vibe always changes with us. The new stuff is slowing
down a little bit, it's a little darker. That's kind of what I'm
aiming for right now.
Tricia
You seem to try to keep things changing.
Ronnie
Yeah, it gets a little boring, so you gotta switch it up a
little bit.
Tricia
Speaking of, what are you excited with in the music industry? Is
there anything out there that you're excited is going to happen?
Ronnie
I'm really excited when bands are writing better songs. I was
real disillusioned in the 90's, because I really hated all that
stuff by bands like Pearl Jam. Not because of the musical style,
I listen to everything, I just didn't think the songs were ever
there. I like big hooks and big choruses. That's why I've always
liked bands like MXPX, because Mike understands that.
On the horizon... what did I like here that I heard? I thought
Element 101 was good. I hadn't heard them before. I thought they
wrote some good songs. I kind of like that band Further Seems
Forever. I'd never heard them and I thought they were real cool.
They've got some big songs. I've just always liked bands with
big songs. It's always been my thing. Maybe there is going to be
more of a change into that.
I think a lot of the punk rock stuff has helped that, because
most punk bands are influenced by the Ramones and Bad Religion
and others like that. All of those bands have written great
songs. So, a lot of the punk bands have written the best songs
in the scene over the past few years. That's why I really love a
lot of that stuff. I think a lot of that stuff has a lot of
promise. Even bands like Reliant K, have you heard those guys?
They're corny, but they've got the hooks.
Nolan
I actually own a Plymouth Reliant K.
Ronnie
Oh, you do man? Cool.
Nolan
Powder Blue. I need to hook up with those guys.
Ronnie
Yeah, tell them you got that car.
-
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